PompeiiinPictures

IX.1.22 Pompeii. House of M. Epidi Sabini.  

Linked to IX.1.29. Excavated 1858 and 1866. Restored 1985.

 

Part 5      Part 6      Part 7      Part 8      Part 9      Part 1      Part 2      Part 3      Part 4      Room Plan

 

IX.1.22 Pompeii. December 2007. Room 14, cistern mouth in first peristyle.

IX.1.22 Pompeii. December 2007. Room 14, cistern mouth in first peristyle. 

 

IX.1.22 Pompeii. 1941 photo by Tatiana Warscher. Room 14, first peristyle.  
DAIR 79.1987. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv. 
See http://arachne.uni-koeln.de/item/marbilderbestand/936457

IX.1.22 Pompeii. 1941 photo by Tatiana Warscher. Room 14, first peristyle. 

DAIR 79.1987. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

IX.1.22 House of M. Epidi Sabini.  December 2007.  Room 14.  First peristyle.  Painted plaster on north wall outside room 19.

IX.1.22 Pompeii. December 2007. Room 14, first peristyle. Painted plaster on north wall outside room 19.

 

IX.1.22 Pompeii. December 2007. Doorway to room 19, an exedra.

IX.1.22 Pompeii. December 2007. Doorway to room 19, an exedra.

 

IX.1.22 Pompeii. December 2007. Room 19, looking north. According to Bragantini, the dado of this room was black, painted with plants. The middle zone was also painted black but divided from the dado by a predella with garden scenes and birds. The floor was cocciopesto ornamented with lines of white stone dots.
See Bragantini, de Vos, Badoni, 1986. Pitture e Pavimenti di Pompei, Parte 3. Rome: ICCD. (p.397-8, esedra “t/”)

IX.1.22 Pompeii. December 2007. Room 19, looking north.

According to Bragantini etc, the dado of this room was black, painted with plants.

The middle zone was also painted black but divided from the dado by a predella with garden scenes and birds.

The floor was cocciopesto ornamented with lines of white stone dots.

See Bragantini, de Vos, Badoni, 1986. Pitture e Pavimenti di Pompei, Parte 3. Rome: ICCD. (p.397-8, esedra “t/”)

 

IX.1.22 House of M. Epidi Sabini.  December 2007.  Room 19. North wall.

IX.1.22 Pompeii. December 2007. Room 19, north wall.

 

IX.1.22 Pompeii. Room 19, reconstruction drawing of west wall.
See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Tav. 16.

IX.1.22 Pompeii. Room 19, reconstruction drawing of west end of north wall.

See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Tav. 16.

 

IX.1.22 Pompeii. December 2007. Room 19, north wall showing garden scene in predella.
This showed three enclosures closed by trellis and accessible through gabled doorways.

IX.1.22 Pompeii. December 2007. Room 19, north wall showing garden scene in predella.

This showed three enclosures closed by trellis and accessible through gabled doorways.

 

IX.1.22 Pompeii, 1983. Room 19, garden painting from west side of north wall of exedra.    
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J80f0558

IX.1.22 Pompeii, 1983. Room 19, garden painting from west side of north wall of exedra.   

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J80f0558

 

IX.1.22 House of M. Epidi Sabini.  December 2007.  Room 19.  Painting on north wall.

IX.1.22 Pompeii. December 2007. Room 19, painting on north wall.

 

IX.1.22 Pompeii. December 2007. Room 19, wall painting on north wall.   
Painting of Heracles, Orpheus and the Muses. Helbig identifies in the 1st room on the right behind the 1st peristyle: Orpheus and Muses, 893, Acteon, 252, Bust of Dionysus, 384b. See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (893). See Schefold, K., 1962. Vergessenes Pompeji. Bern: Francke. (T. 61). See Schefold, K., 1957. Die Wande Pompejis. Berlin: De Gruyter. (p.238)

IX.1.22 Pompeii. December 2007. Room 19, wall painting on north wall. Painting of Heracles, Orpheus and the Muses.

Helbig identified in the 1st room on the right behind the 1st peristyle: Orpheus and Muses, 893, Acteon, 252, Bust of Dionysus, 384b.

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (893).

See Schefold, K., 1962. Vergessenes Pompeji. Bern: Francke. (T. 61).

See Schefold, K., 1957. Die Wande Pompejis. Berlin: De Gruyter. (p.238)

 

IX.1.22 Pompeii. W.345. Room 19, drawing of wall painting from north wall showing Hercules, Orpheus, and the muses.
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (893)
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231834

IX.1.22 Pompeii. W.345. Room 19, drawing of wall painting from north wall showing Hercules, Orpheus, and the muses.

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (893)

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

According to Schöne in BdI, in this painting was Orpheus between the Muses with Hercules;

The names of the persons are shown in Greek:

 

Orpheus, sits, centre, at the foot of a hill, wearing the outfit of a citharista, and playing the lyre. He is facing to the right.

Orpheus, sits, centre, at the foot of a hill, wearing the outfit of a citharista, and playing the lyre. He is facing to the right.

 

Euterpe, with a lyre, is standing to the right.

Euterpe, with a lyre, is standing to the right.

 

Thalia, is standing to her right and both are embracing.

Thalia is standing to her right and both are embracing.

 

Hercules is in the left foreground, sitting on the lion’s skin; his club is laying upwards on the ground.

Hercules is in the left foreground, sitting on the lion’s skin; his club is laying upwards on the ground.

 

Urania is distinguished by this graffito as one of the two muses standing above Hercules and behind Orpheus. 
The two muses are embracing and the second, all enveloped in a white cloth that covered her head well, and identified also by her stern expression, is the celebrated figure of Polyhymnia.

Urania is distinguished by this graffito as one of the two muses standing above Hercules and behind Orpheus.

The two muses are embracing and the second, all enveloped in a white cloth that covered her head well, and identified also by her stern expression, is the celebrated figure of Polyhymnia. 

 

Terpsichore sits between this couple and Orpheus, at the rear.

Terpsichore sits between this couple and Orpheus, at the rear.

 

Melpomene is the lower of two figures sitting up on the hill, but today nearly disappeared,

Melpomene is the lower of two figures sitting up on the hill, but today nearly disappeared,

 

Above on the hill, further away, traces of a woman were seen, in what seemed to be white clothing and nearby the rest of an inscription that was evident to be the end of the name; Since however none of the names of the Muses are combined, it should perhaps be thought to be Eurydice

Above on the hill, further away, traces of a woman were seen, in what seemed to be white clothing and nearby the rest of an inscription that was evident to be the end of the name; Since however none of the names of the Muses are combined, it should perhaps be thought to be

 

Eurydice? It was possible that the artist had shown the wife of Orpheus as being attracted by the loving singing of her husband.

Eurydice? It was possible that the artist had shown the wife of Orpheus as being attracted by the loving singing of her husband.

 

Unfortunately, the state of the painting does not permit a secure judgement; the upper part to the right, with the four other Muses was all lost and fallen.

See Bullettino dell’Instituto di Corrispondenza Archeologica (DAIR), 1867, (p.49-50).

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, n. 893.

 

IX.1.22 House of M. Epidi Sabini.  December 2007.  Room 19.  West wall.

IX.1.22 Pompeii. December 2007. Room 19, west wall.

 

231177 Bestand-D-DAI-ROM-W.349.jpg
IX.1.22 Pompeii. W.349. Room 19, drawing of wall decoration from west wall of exedra/triclinium.
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231177    
See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Tav. 15.

IX.1.22 Pompeii. W.349. Room 19, drawing of wall decoration from west wall of exedra/triclinium.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Tav. 15.

 

231437 Bestand-D-DAI-ROM-W.346be.jpg
IX.1.22 Pompeii. W.346b. Room 19, drawing of painting from centre of west wall showing story of Artemis and Acteon.
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231437

IX.1.22 Pompeii. W.346b.

Room 19, drawing of painting from centre of west wall showing story of Artemis and Acteon.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

IX.1.22 Pompeii. December 2007. Room 19, west wall with remains of wall paintings at south end.

IX.1.22 Pompeii. December 2007. Room 19, west wall with remains of wall paintings at south end.

 

IX.1.22 Pompeii. December 2007. Room 19, wall painting on west wall, south side, probably Dionysus and Ariadne, Helbig 348b.   
Helbig identifies in the 1st room on the right behind the 1st peristyle: Hercules, Orpheus and Muses, 893, Acteon, 252, Bust of Dionysus and Ariadne, 384b.  
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (252, 384b).
See Schefold, K., 1957. Die Wande Pompejis. Berlin: De Gruyter. (p.238)

IX.1.22 Pompeii. December 2007. Room 19, wall painting on west wall, south side, probably Dionysus and Ariadne, Helbig 348b.  

Helbig identified in the 1st room on the right behind the 1st peristyle: Hercules, Orpheus and Muses, 893, Acteon, 252, Bust of Dionysus and Ariadne, 384b. 

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (252, 384b).

See Schefold, K., 1957. Die Wande Pompejis. Berlin: De Gruyter. (p.238)

 

231676 Bestand-D-DAI-ROM-W.348.jpg
IX.1.22 Pompeii. W.348. Room 19, drawing of painting from south end of west wall showing Dionysus and Ariadne .
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (384b)
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231676

IX.1.22 Pompeii. W.348. Room 19, drawing of painting from south end of west wall showing Dionysus and Ariadne .

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (384b)

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

IX.1.22 Pompeii. Drawing by Nicola La Volpe, 1866, of painting of Dionysus and Ariadne from west wall of room 19.
This is described as being from “the house following that of Suedius Clemens”, this was his description of IX.I.20.
Now in Naples Archaeological Museum. Inventory number ADS 963.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

IX.1.22 Pompeii. Drawing by Nicola La Volpe, 1866, of painting of Dionysus and Ariadne from west wall of room 19.

This is described as being from “the house following that of Suedius Clemens”, this was his description of IX.I.20.

Now in Naples Archaeological Museum. Inventory number ADS 963.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

IX.1.22 House of M. Epidi Sabini.  December 2007.  Room 14.  First peristyle.  Painted plaster on north wall and doorways of rooms 20 and 21.

IX.1.22 Pompeii. December 2007. Room 14, first peristyle. 

Painted plaster on north wall and doorways of rooms 20 and 21.

 

IX.1.22 Pompeii. December 2007. Room 14, first peristyle with doorways of rooms 20, 21 and 22. The anteroom of cubiculum 20 is on the right. On the left is the doorway to room 22.

IX.1.22 Pompeii. December 2007. Room 14, first peristyle with doorways of rooms 20, 21 and 22.

The anteroom of cubiculum 20 is on the right.  On the left is the doorway to room 22.

 

 

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Ultimo aggiornamento - Last updated: 09-Sep-2019 17:10