PompeiiinPictures

VII.9.2 Pompeii. July 2010. Altar looking north-east. Photo courtesy of Rick Bauer.

VII.9.2 Pompeii. July 2010. West and south sides of altar.
Photo courtesy of Rick Bauer.

VII.9.2 Pompeii. July 2010. South side of altar. Photo courtesy of Rick Bauer.

VII.9.2
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

VII.9.2
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

VII.9.2 Pompeii. July 2010. North side of altar.
According to Mau, the north and south sides have
representations of ceremonial objects used in sacrificing.
On this side is the libation bowl (patera), a ladle (simpulum)
and a pitcher.
See Mau, A., 1907,
translated by Kelsey F. W. Pompeii: Its
Life and Art. New York: Macmillan. (Page 107).
Photo courtesy of Rick Bauer.

VII.9.2 Pompeii. 1944. Altar. East side. Photo
courtesy of Rick Bauer.
This side has a crown of oak leaves with a
laurel on each side.
According to Mau, the
civic crown, one made of oak leaves, and the laurel are recognised as attributes
denoting imperial rank.
This temple was
therefore built in honour of an emperor.
See Mau, A., 1907,
translated by Kelsey F. W. Pompeii: Its
Life and Art. New York: Macmillan. (Page 107).

VII.9.2 Pompeii. July 2010. Altar. South side.
According to Mau, the north and south sides have
representations of ceremonial objects used in sacrificing.
On this side is the napkin (mantele), the augural staff (lituus),
and the box in which the incense was kept (acerra).
See Mau, A., 1907,
translated by Kelsey F. W. Pompeii: Its
Life and Art. New York: Macmillan. (Page 107).
Photo courtesy of Rick Bauer.

VII.9.2 Pompeii. July 2010. West side of altar. Photo courtesy of Rick Bauer.

VII.9.2

VII.9.2 Pompeii.
Sacrificial scene on West side of altar.
According to Mau, a
priest with a toga drawn over his head pours a libation from a shallow bowl or
patera onto an altar which is in the form of a tripod.
With him at the left
are two lectors with their bundles of rods, a flute player, two boys – camilli -
carrying the utensils for the sacrifice, and also an attendant.
At the right the
victimarius or slayer and an assistant are bringing a bull to the altar for
sacrifice.
In the background is a
Tetrastyle temple, “doubtless the temple before us; the scene represents the
dedicatory exercises.”
As the sacrifice is a
bull it means the temple must have been dedicated to an emperor during his
lifetime.
See Mau, A., 1907,
translated by Kelsey F. W. Pompeii: Its
Life and Art. New York: Macmillan. (Pages 106-7).
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

VII.9.2

VII.9.2
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

VII.9.2

VII.9.2

VII.9.2 Pompeii. July 2010. Podium and cella with second
set of steps to right.
Photo courtesy of Rick Bauer.